'Tha Carter III' Takes Lil Wayne Platinum A week after Lil Wayne's latest album was released, it had sold a million copies. Robert Christgau says the phenomenal success of Tha Carter III. Open minds, la familia, shedeezy, sportiodie, king carter, baby jesus, chezzy boy, jxhines, boss of the city, trap laflare, chauntal, tiny t, deucie, numeral 3, jay.

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Lil Wayne Carter II lyrics

[Intro]
So you made it this far, Heh
We upstairs, I let you up here
You special, Marley, don't shoot
You know what this is?
Still The Carter 2 people [x2]
Yeah, you still in the carter 2 people
Hey yeah
[Lil Wayne]
All I have in this world is a pistol and a promise
A fist full of dollars, a list full of problems
I'll address them like P.O. Boxes
Yeah I'm from New Orleans, the Creole cockpit
We so out of it, zero tolerance
Gangsta gumbo, I'll serve 'em a pot of it
I'm wealthy, still fucking wit that block shit
Wet your ass up, head to feet til your sock a drip
Don't strip, you might fall and bust your ass
No snakes at the carter, tell the gardener to cut the grass
I hear 'em but they talking under mass
Stop throwing pebbles at a bulletproof glass
That's Cash Money, honey pie
We ain't running, we don't hide screaming fuck the other side
Don't get caught on it, this the dailiest grind
I'll put your heart on it and walk on it
The chalks only for the art homie
How they trace ya after I erase ya
Look around, we at war and you still in preparation
I'm riding for them reperations, No patience
Slow paper is better than no paper
Fast money don't last too long, you gotta pace it
You gotta know that paper
If you got it from a caper, you gotta blow that paper
Gotta know that photo fobia, no Kodak moments
Feds walls with my pictures on 'em
Nah, I ain't even in the school yearbook
I don't do too much posing, got a cool killer look
Career crook, get your career took
I'm back like a brizeer hook
Bitch cheer, camouflage gear, the hunter's here
Better play it by ear, you ain't nothing but a deer
Around here and this here is The Carter
Serve it while it's hot out the pot to your mama
And Slim tell me ain't nobody hotter
But get your boys some different sauce, I want the whole enchilada
I got 'em by the collar, watch me drop 'em
On the head at the bottom
You ain't gotta shoot 'em cause I already shot 'em
And I ain't gotta get 'em cause I already got 'em
Get 'em

Review by David Jeffries

How Tha Carter III came to be 'the most anticipated rap album of 2008' is a story that involves the usual delays and promises of a masterpiece, plus a whole lot of bullet points that could only exist in the absurd world of Lil Wayne. There's his complete annihilation of the mixtape game, the ridiculous amount of guest shots he granted since Tha Carter II made him a hip-hop superstar, that photograph of him kissing his mentor, Birdman, rumors of addiction to the sizzurp, plus the gargantuan ego and aggravating aloofness (Wayne will ignore all incoming beefs and infuriate challengers even further by offering the lethal 'I don't listen to your records'). His 'best rapper alive' quote is discussed to death, but if that claim includes creating perfectly crafted full-lengths in a 2Pac style, the evidence won't be found here. Tha Carter III is instead a surprisingly casual album that takes numerous listens to sort out, and only part of a puzzle that is scattered across mixtapes, guest shots, and Internet leaks. Had he included another easy-access single like 'Rider' from The Drought Is Over, Pt. 4 -- just one of his mixtape series that made it to a Pt. 5 -- the 'classic' argument could be considered, but figuring out what to sacrifice from this high-grade jumble is difficult. It wouldn't be the electro-bumpin' 'Lollipop,' an infectious track that contains the wonderfully Wayne line 'I told her to back it up/Like burp, burp.' You certainly wouldn't want to lose key cut 'Phone Home,' where the maverick adopts an alien voice and drops 'I could get your brains for a bargain/Like I bought it from Target.' Another Weezy special from way outside the hip-hop universe comes in the striking 'Dr. Carter,' when the football reference 'And you ain't Vince Young/So don't clash with the Titan' dances on a David Axelrod sample and an unexpected jazzy production from Swizz Beatz. Giant meets giant when Jay-Z stops by for the velvet-smooth hangout session 'Mr. Carter,' and with Babyface laying the stylish swagger all over 'Comfortable,' Wayne gets the opportunity to convincingly vibe in the land of true class. Just like on Tha Carter II, Robin Thicke ends up the most complementary guest, coating Wayne's post-Katrina tale 'Tie My Hands' in warm buttery soul. As the track flows from political commentary ('My whole city's underwater, some people still floatin'/And they wonderin' why black people still votin'/Cuz your President's still chokin') to despair and onto some moving 'keep your head up'-styled verse, it proves Wayne can go deep and connect with his audience if he chooses. You can fault him for not connecting enough on the album and further complicating his unmanageable body of work with this disjointed effort, but Wayne's true masterpiece is the bigger picture and how he's flipped the script since the first Carter rolled out. Filled with bold, entertaining wordplay and plenty of well-executed, left-field ideas, Tha Carter III should be considered as a wild, somewhat difficult child of Weezy's magnum opus in motion, one that allows the listener an exhilarating and unapologetic taste of artistic freedom. [A deluxe edition with a revised track listing was also released.]

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